In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITHTo be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
More Patti Smith Quotes
-
-
I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
PATTI SMITH -
I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
PATTI SMITH -
Life is an adventure of our own design intersected by fate and a series of lucky and unlucky accidents.
PATTI SMITH -
I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
PATTI SMITH -
For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
PATTI SMITH -
Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
PATTI SMITH -
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITH -
Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
PATTI SMITH -
To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
PATTI SMITH -
I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH -
All I’ve ever wanted, since I was a child, was to do something wonderful.
PATTI SMITH -
My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
PATTI SMITH -
You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
PATTI SMITH