People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
PATTI SMITHI’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
More Patti Smith Quotes
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
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Remember, we are mortal, but poetry is not.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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Writing is not some quiet, closet act.
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Will you pretend you’re my boyfriend?
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH