Tell me everything that I must know. Hold nothing back.
PAT CONROYMama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
More Pat Conroy Quotes
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You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.
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I’ve always believed that dreams were both the love letters and the hate mail of the subconscious.
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The great teachers fill you up with hope and shower you with a thousand reasons to embrace all aspects of life. I wanted to follow Mr. Monte around for the rest of my life, learning everything he wished to share of impart, but I didn’t know how to ask.
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I wanted to become the seeker, the aroused and passionate explorer, and it was better to go at it knowing nothing at all, always choosing the unmarked bottle, always choosing your own unproven method, armed with nothing but faith and a belief in astonishment.
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Here’s what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite.
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A story is a living thing, it moves and shifts.
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I would always be a better hater of things and institutions than a lover of them.
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Love’s action. It isn’t talk and it never has been.
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Once I had told her that I would rather see a museum bombed than a book underlined, but she dismissed my argument as mere sentimentality. She marked her books so that stunning images and ideas would not be lost to her.
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The most powerful words in English are ‘Tell me a story,’ words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
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The safe places could only be visited; they could only grant a momentary intuition of sanctuary. The moment always came when we had to return to our real life to face the wounds and grief indigenous to our homr by the river.
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A library could show you everything if you knew where to look.
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There is no teacher more discriminating or transforming than loss.
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We, men, die because our faces were not watered enough.
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The great teachers fill you up with hope and shower you with a thousand reasons to embrace all aspects of life.
PAT CONROY