The safe places could only be visited; they could only grant a momentary intuition of sanctuary. The moment always came when we had to return to our real life to face the wounds and grief indigenous to our homr by the river.
Mama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
I don’t know why it is that I have always been happier thinking of somewhere I have been or wanted to go, than where I am at the time. I find it difficult to be happy in the present.
The most powerful words in English are ‘Tell me a story,’ words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
Red Hook Road made me happy, and happy to be alive. It took me out of my home on the coast of South Carolina, placed me in the town along Red hook Road, and changed me the way good books always do.
Then another porpoise broke the water and rolled toward us. A third and fourth porpoise neared. The visitation was something so rare and perfect that we knew by instinct not to speak-and then as quickly as they had come, the porpoises moved away from us…
From the very beginning, I wrote to explain my own life to myself, and I invited any readers who chose to make the journey with me to join me on the high wire.
You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.
If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.
