Faulkner didn’t know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it’s necessary
PAT CONROYA recipe is a story that ends with a good meal.
More Pat Conroy Quotes
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Charleston has a landscape that encourages intimacy and partisanship.
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I have heard it said that an inoculation to the sights and smells of the Carolina lowcountry is an almost irreversible antidote to the charms of other landscapes, other alien geographies.
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Man wonders but God decides When to kill the Prince of Tides.
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A recipe is a story that ends with a good meal.
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I do not have any other way of saying it. I think it happens but once and only to the very young when it feels like your skin could ignite at the mere touch of another person. You get to love like that but once.
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Put me into a crusader’s armor, a cardinal’s vestments. Let me feel the pygmy’s heartbeat, the queen’s breast, the torturer’s pleasure, the Nile’s taste, or the nomad’s thirst.
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Here’s what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite.
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It did not look like the work of God, but it might have represented the handicraft of a God with a joyous sense of humor, a dancing God who loved mischief as much as prayer, and playfulness as much as mischief.
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One of the greatest gifts you can get as a writer is to be born into an unhappy family.
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I could bear the memory, but I could not bear the music that made the memory such a killing thing.
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Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.
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Men are prisoners of their genitalia and women are the keepers of the keys to paradise.
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I was born and raised on a Carolina sea island and I carried the sunshine of the low-country, inked in dark gold, on my back and shoulders.
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No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into its system of laws.
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Why do they not teach you that time is a finger snap and an eye blink, and that you should not allow a moment to pass you by without taking joyous, ecstatic note of it, not wasting a single moment of its swift, breakneck circuit?
PAT CONROY