No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into its system of laws.
PAT CONROYCameras are a lifesaver for very shy people who have nowhere else to hide. Behind a lens they can disguise the fact that they have nothing to say to strangers.
More Pat Conroy Quotes
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Good writing is the hardest form of thinking.
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My wound is geography. It is also my anchorage, my port of call.
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Except for memory, time would have no meaning at all.
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I don’t know why it is that I have always been happier thinking of somewhere I have been or wanted to go, than where I am at the time. I find it difficult to be happy in the present.
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Good coaching is good teaching and nothing else.
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William Ferris has long reigned as the unimpeachable source of the entire southern experience. His work on southern folklore and the composition of the Encyclopedia of Southern Culture have made him both legendary and necessary. His book,
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South Carolina is not a state; it is a cult.
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Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.
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American men are allotted just as many tears as American women. But because we are forbidden to shed them.
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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn’t know he was Ernest Hemingway when he was a young man.
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Each of us would remember that all during our lives. It was the purest moment of freedom and headlong exhilaration that I had ever felt. A wordless covenant was set, and I would go back in my imagination, and return to where happiness seemed so easy to touch.
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The mind is an intricate mechanism that can be run on the fuels of both victory and defeatism.
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Silence (can) be the most eloquent form of lying.
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Mama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
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It did not look like the work of God, but it might have represented the handicraft of a God with a joyous sense of humor, a dancing God who loved mischief as much as prayer, and playfulness as much as mischief.
PAT CONROY