Faulkner didn’t know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it’s necessary
PAT CONROYWe die long before women do, with our hearts exploding or our blood pressure rising or our livers eaten away by alcohol because that lake of grief inside us has no outlet.
More Pat Conroy Quotes
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Laughter is the only strategy that has ever worked at all for me when my world is falling apart.
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Humanity is best described as inhumanity.
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Books are living things and their task lies in their vows of silence.
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Anyone who knows me well must understand and be sympathetic to my genuine need to be my own greatest hero. It is not a flaw of character; it is a catastrophe.
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Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.
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The most powerful words in English are ‘Tell me a story,’ words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
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I’ve always believed that dreams were both the love letters and the hate mail of the subconscious.
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I had come to a place where I was meant to be. I don’t mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home.
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Rape is a crime against sleep and memory; it’s afterimage imprints itself like an irreversible negative from the camera obscura of dreams.
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Cameras are a lifesaver for very shy people who have nowhere else to hide. Behind a lens they can disguise the fact that they have nothing to say to strangers.
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Honor is the presence of God in man.
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My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.
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Mama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
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She was one of those Southerners who knew from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.
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Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature’s profligate generosity.
PAT CONROY






