Mama always taught her children that words were pretty, but anyone can talk. She said, pay attention to that man or woman who acted, who did, who performed. She taught us to trust in thing we could see, not that we heard.
PAT CONROYSilence (can) be the most eloquent form of lying.
More Pat Conroy Quotes
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South Carolina is not a state; it is a cult.
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I’ve never had anyone’s approval, so I’ve learned to live without it.
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Red Hook Road made me happy, and happy to be alive. It took me out of my home on the coast of South Carolina, placed me in the town along Red hook Road, and changed me the way good books always do.
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Put me into a crusader’s armor, a cardinal’s vestments. Let me feel the pygmy’s heartbeat, the queen’s breast, the torturer’s pleasure, the Nile’s taste, or the nomad’s thirst.
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I would always be a better hater of things and institutions than a lover of them.
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Man wonders but God decides When to kill the Prince of Tides.
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You touch them as they quiver with a divine pleasure. You read them and they fall asleep to happy dreams for the next 10 years. If you do them the favor of understanding them, of taking in their portions of grief and wisdom, then they settle down in contented residence in your heart.
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Faulkner didn’t know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it’s necessary
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You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.
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I was born and raised on a Carolina sea island and I carried the sunshine of the low-country, inked in dark gold, on my back and shoulders.
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William Ferris has long reigned as the unimpeachable source of the entire southern experience. His work on southern folklore and the composition of the Encyclopedia of Southern Culture have made him both legendary and necessary. His book,
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No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into its system of laws.
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Then another porpoise broke the water and rolled toward us. A third and fourth porpoise neared. The visitation was something so rare and perfect that we knew by instinct not to speak-and then as quickly as they had come, the porpoises moved away from us…
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Music could ache and hurt, that beautiful music was a place a suffering man could hide.
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I stood face to face with the moon and the ocean and the future that spread out with all its bewildering immensity before me.
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