I had come to a place where I was meant to be. I don’t mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home.
PAT CONROYPut me into a crusader’s armor, a cardinal’s vestments. Let me feel the pygmy’s heartbeat, the queen’s breast, the torturer’s pleasure, the Nile’s taste, or the nomad’s thirst.
More Pat Conroy Quotes
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Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature’s profligate generosity.
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Charleston has a landscape that encourages intimacy and partisanship.
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The University of South Carolina has always played a role in my life and the intellectual life of South Carolina.
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One does not know where love will take you.
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My attraction to story is a ceaseless current that runs through the center of me. My inexhaustible ardor for reading seems connected to my hunger for storylines that show up in both books and in the great tumbling chaos of life.
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Her library would have been valuable to a bibliophile except she treated her books execrably. I would rarely open a volume that she had not desecrated by underlining her favorite sections with a ball-point pen.
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There are no ideas in the South, just barbecue.
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The Storied South , is a love song to the South Bill helped illuminate. It’s a crowning achievement of his own storied career.
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Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and maggotry, and has already silenced the voices of writers like James Dicky across the land.
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Good writing is the hardest form of thinking.
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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn’t know he was Ernest Hemingway when he was a young man.
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Evil would always come to me disguised in systems and dignified by law.
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In Charleston, more than elsewhere, you get the feeling that the twentieth century is a vast, unconscionable mistake.
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Like everything else, love’s not worth much without some action to back it up.
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I was born into the century in which novels lost their stories, poems their rhymes, paintings their form, and music its beauty, but that does not mean I had to like that trend or go along with it. I fight against these movements with every book I write.
PAT CONROY