Criminals are never very amusing. It’s because they’re failures. Those who make real money aren’t counted as criminals. This is a class distinction, not an ethical problem.
ORSON WELLESCriminals are never very amusing. It’s because they’re failures. Those who make real money aren’t counted as criminals. This is a class distinction, not an ethical problem.
ORSON WELLESAn artist is always out of step with the time. He has to be.
ORSON WELLESIf you want a happy ending, that depends, of course, on where you stop your story.
ORSON WELLESI love informality. I hate dressing up. I hate to be conventional – and I hate every kind of snob.
ORSON WELLESThe most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.
ORSON WELLESParis is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
ORSON WELLESI’m not basically a happy person, but I have all kinds of joy.
ORSON WELLESA man is not from where he is born, but where he chooses to die.
ORSON WELLESThe director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.
ORSON WELLESOnly in a police state is the job of a policeman easy.
ORSON WELLESMy kind of director is an actor-director who writes.
ORSON WELLESNow I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
ORSON WELLESHollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.
ORSON WELLESI want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
ORSON WELLESI hate Woody Allen physically, I dislike that kind of man.
ORSON WELLESI’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.
ORSON WELLES