I have an unfortunate personality.
ORSON WELLESThe most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.
More Orson Welles Quotes
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I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
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Create your own visual style. Let it be unique for yourself and yet identifiable for others.
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I dont believe in learning from other peoples pictures. I think you should learn from your own interior vision of things and discover, as I say, Innocently, as though there had never been anybody.
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Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.
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Human nature is eternal; therefore one who follows his nature keeps his original nature, in the end.
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People are losing the capacity to listen to words or follow ideas.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
ORSON WELLES -
A film is never really good unless the camera is an eye in the head of a poet.
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What’s happening now is what happened before, and often what’s going to happen again sometime or other.
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If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they’re talking.
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When people accept breaking the law as normal, something happens to the whole society.
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Now I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
ORSON WELLES