My doctor told me to stop having intimate dinners for four. Unless there are three other people.
ORSON WELLESNow I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
More Orson Welles Quotes
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In my opinion, there are two things that can absolutely not be carried to the screen: the realistic presentation of the sexual act and praying to God.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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People are losing the capacity to listen to words or follow ideas.
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Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There’s a philistine and an aesthete in all of us, and a murderer and a saint. You don’t reconcile the poles. You just recognize them.
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I have a great love and respect for religion, great love and respect for atheism. What I hate is agnosticism, people who do not choose.
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A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
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Now I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
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If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they’re talking.
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The Godfather’ was the glorification of a bunch of bums who never existed.
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Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.
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I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.
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Working is part of life, I don’t know how to distinguish between the two. Work is an expression of life.
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I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.
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A good artist should be isolated. If he isn’t isolated, something is wrong.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
ORSON WELLES