Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There’s a philistine and an aesthete in all of us, and a murderer and a saint. You don’t reconcile the poles. You just recognize them.
ORSON WELLESDon’t give them what you think they want. Give them what they never thought was possible.
More Orson Welles Quotes
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A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
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The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.
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I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.
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A director is someone who presides over a series of accidents.
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Working is part of life, I don’t know how to distinguish between the two. Work is an expression of life.
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Friendship creates only the illusion of not being alone.
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I’ve spent most of my mature life trying to prove that I’m not irresponsible.
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A bad word from a colleague can darken a whole day. We need encouragement a lot more than we admit, even to ourselves.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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I’ve never understood the cult of Hitchcock. Particularly the late American movies. Egotism and laziness. And they’re all lit like television shows.
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I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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I don’t say we all ought to misbehave, but we ought to look as if we could.
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When you are down and out something always turns up – and it is usually the noses of your friends.
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I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
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I’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.
ORSON WELLES