This business is based on numbers, and the numbers show that it’s worth investing in female-driven and female-directed films.
OLIVIA WILDEMy parents were journalists and friends with writers, artists, and just a really interesting assortment of people, so I was exposed to all lifestyles from a young age.
More Olivia Wilde Quotes
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I shaved the back of my head once and did the asymmetrical hair.
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In human years I am 29. In actress years I’m the ripe, promising age of 18 to 35. That’s how it works here in Hollywood.
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My dad is Irish. I spent my childhood going back and forth between Ireland and America.
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I used to play hooky from school so I could watch cooking shows.
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Believe it or not, I’m a big fan of patchouli oil. I know it’s not a universally liked fragrance. I usually combine it with other essential oils – I have many mixtures I like.
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I’m a natural blonde, but I feel like a brunette.
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I’ve thought for a long time that my body type would have worked well in the ’70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
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I was a tomboy and I didn’t have a bunch of brothers but I always wanted them and so I sort of adopted a few of my great friends to be my brother.
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You really just have to love the process. I can’t tell you the amount of film sets I’ve been on where people are talking about Oscars in the middle of the production. It happens all the time.
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I’ve always been a fan of science fiction.
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It would be so depressing to be a model and not get to say a word. There’s no personality involved.
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You’re going to change as you grow older, and that messes up a lot of relationships.
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I love eye makeup. I really like doing a cat eye, playing with liquid liners and different colors of liners, like emerald and deep blues, combining them with black.
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When I kiss a girl for a part, people think it’s sexy. But if two guys kiss, suddenly there’s a backlash. It’s a double standard.
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Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn’t otherwise be engaged – in essence, not preaching to the choir.
OLIVIA WILDE