Football is mesmerizing, because it’s a figurative war. You go in one direction till you get there, but you get there as a team, not as an individual. Players bond whether they’re black or white, much as soldiers do.
OLIVER STONEI would vote for the man who’s lived life, who’s done different occupations, who’s been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I’d vote for experience, honest experience.
More Oliver Stone Quotes
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I like automatic weapons. I fought for my right to use them in Vietnam.
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I think our life is a series of adventures.
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Bin Laden was completely protected by the oil companies in this country who told [President] Bush not to go after him because it would piss off the Saudis.
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From ’45, the moment Franklin Roosevelt dies, we’re running ratlines with the Germans, helping Nazis escape.
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The past assumes the nature of the present.
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Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I’ve tried to get the overall in. I think that’s more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
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The only home I had was with Warner Bros. during the ’90s. I made four movies with them then. Natural Born Killers, JFK, Heaven and Earth. Any Given Sunday was the last. And that was the end of the Terry Semel/Bob Daly regime.
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Each year, the The U.S. Army & its contractors SHOOT, STAB, MUTILATE, & KILL more than TEN THOUSAND live animals in cruel training exercises.
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I went to Vietnam, and I was there for a long time. [Using marijuana] made the difference between staying human or, as Michael Douglas said, becoming a beast.
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I am not trying to be a historian and a dramatist; I’m a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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I think a lot of people misunderstand what I’m doing, because my films are not easy sometimes. They do deserve a second viewing. I think they get misunderstood easily.
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For some reason, television still bores me. Even the best shows.
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I study history in order to give an interpretation.
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When I’m working with another writer, I tend to make a lot of effort. When I collaborate with a writer, I’m not interested in credit, but I’m feeding him stuff all the time that I feel is important to shaping the script.
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Many films are forgotten and deserve to be, but others glom onto the DNA and they keep a share of the collective consciousness. It’s a profound question: What are we here for? What is the purpose, the sum effect of our work?
OLIVER STONE