Anybody who’s been through a divorce will tell you that at one point. they’ve thought murder. The line between thinking murder and doing murder isn’t that major.
OLIVER STONEI’ve changed my style constantly, so I’m not sure I have one defined style, except perhaps style of subject matter.
More Oliver Stone Quotes
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People will go to clean theaters; they don’t like to go to dirty theaters.
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I will come out with my interpretation. If I’m wrong, fine. It will become part of the debris of history, part of the give and take.
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This myth that America has this atomic bomb that makes us right, it makes us good, it makes us set the agenda for the world. Everywhere, we can go global, we determine.
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What I’ve experienced, I’m trying to put in a narrative form, I suppose, to say that it does make sense in this way.
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I think a lot of people misunderstand what I’m doing, because my films are not easy sometimes. They do deserve a second viewing. I think they get misunderstood easily.
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There is nothing inherently wrong with greed as a human motivator – greed motivating evolution. But there’s a huge disconnect between the classes. It is very demoralizing to work for someone who makes a billion dollars a year while you make just barely enough to make it.
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You do the best job you can. You take it step by step. It’s hard enough to make a movie. If it works, that’s great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we’ll see.
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I’ve changed my style constantly, so I’m not sure I have one defined style, except perhaps style of subject matter.
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The truth is not being aired in the West. It’s a surreal perversion of history that’s going on once again, as in Bush pre-Iraq ‘WMD’ campaign.
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The worst nightmare I ever had about Vietnam was that I had to go back. I woke up in a sweat, in total terror.
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Сyber-warfare is obviously the future. It’s a real concern, but we lie so much about what we do that it’s hard to know what’s going on unless you really follow it.
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I look at Homer and The Odyssey and all the disparate adventures this guy goes through, and then he returns home and the question is, is he the same man who left?
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In digital, you can maintain the quality.
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I’d like to do a story about the medieval ages where in every scene you’d sort of feel that you were in the 12th century. That would be great to get that feeling.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them – maybe that’s what Steven Spielberg connects with so well in Lost World.
OLIVER STONE