I know when I sit with my band members and we’re playing back a song that we’ve done, I know that they’re experiencing it in a completely different way and hearing stuff that they’re alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
NICK CAVEThe singing tells everybody what to do musically.
More Nick Cave Quotes
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I’ve watched ‘Oprah Winfrey.’ And I’m proud. I don’t care what anybody says! I don’t know whether I’ve watched it. I’ve been in the room while it’s been on.
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Guns are part of the American psyche, aren’t they? This is collateral damage for having a Wild West mentality. It’s intrinsic to the American psyche. It’s never going to change.
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In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
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The problem with books, now that I’ve written one, is that the idea of adaptation is so much easier than sitting down to write something new.
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If I’m hanging around too much, my wife and kids say, ‘Hey, why don’t you go downstairs and start a new novel?’
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The singing tells everybody what to do musically.
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That’s what we [outsiders] feel America is really about – the kind of crazed ravings of the Christian right – when it’s probably something quite different.
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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We as visual artists need to continue to be renegades and say, “Yes I am here to do a project, but what is the social service?”
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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I’ve always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
NICK CAVE