I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
NICK CAVEThe body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
More Nick Cave Quotes
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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I love being manipulated by what I see. I love weepies and romantic comedies where you’re reaching for the Kleenex at the right moment.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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I’m not in the business of telling people what to do. I’m much more in the business of describing things, situations and stuff like that and leaving them out there, and you can make up your minds about them.
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Guns are part of the American psyche, aren’t they? This is collateral damage for having a Wild West mentality. It’s intrinsic to the American psyche. It’s never going to change.
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I think there’s a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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I am not interested in anything that doesn’t have a genuine heart to it. You’ve got to have soul in the hole. If that isn’t there, I don’t see the point.
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The band is a living, breathing thing. It grows in the same way we do as human beings and if it doesn’t, it dies. It’s important to feed the organism, and one way of doing that is to set musical challenges that keep it alive.
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My records are basically a litany of complaints against the world, and I’m quite like that in real life as well.
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I’ve watched ‘Oprah Winfrey.’ And I’m proud. I don’t care what anybody says! I don’t know whether I’ve watched it. I’ve been in the room while it’s been on.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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I’m an Australian, and when I grew up much of my influences were American – blues music and country music, all that sort of thing.
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It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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I’ve always had an obligation to creation, above all.
NICK CAVE