I am not interested in anything that doesn’t have a genuine heart to it. You’ve got to have soul in the hole. If that isn’t there, I don’t see the point.
NICK CAVEJesus Christ was the biggest blight on the human race, he was. And all them socialists and communists – second rate Christianity.
More Nick Cave Quotes
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The blues is instilled in every musical cell that floats around your body.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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I’ve spent my life butting my head against other people’s lack of imagination.
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I look at you and you look at me and deep in our hearts know it That you weren’t much of a muse, but then I weren’t much of a poet
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The singing tells everybody what to do musically.
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Your limitations make you the wonderful disaster you most probably are.
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I write songs in batches and then record them and then can’t write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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I’ve watched ‘Oprah Winfrey.’ And I’m proud. I don’t care what anybody says! I don’t know whether I’ve watched it. I’ve been in the room while it’s been on.
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Jesus Christ was the biggest blight on the human race, he was. And all them socialists and communists – second rate Christianity.
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It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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I’m not in the business of telling people what to do. I’m much more in the business of describing things, situations and stuff like that and leaving them out there, and you can make up your minds about them.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
NICK CAVE