Mostly I’m interviewed by white people, and identified with white society.
NADINE GORDIMERPerhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
More Nadine Gordimer Quotes
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Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.
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The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.
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In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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Newspapers are horror happening to other people.
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A truly living human being cannot remain neutral.
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.
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Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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The truth isn’t always beauty, but the hunger for it is.
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There’s no tiling moral about beauty.
NADINE GORDIMER






