It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
NADINE GORDIMERIf people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
More Nadine Gordimer Quotes
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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There’s no tiling moral about beauty.
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Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
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I couldn’t be sufficiently interested in human beings to be a writer if I had contempt for human beings.
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Everyone ends up moving alone towards the self
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Communists are the last optimists.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.
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The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.
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Sentiment is for those who don’t know what to do next.
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The truth isn’t always beauty, but the hunger for it is.
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
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it’s impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren’t taken into account because no one knows what they will be.
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It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
NADINE GORDIMER