In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
NADINE GORDIMERThe tension between standing apart, and being fully involved; that is what makes a writer.
More Nadine Gordimer Quotes
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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Responsibility is what awaits outside the Eden of Creativity.
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
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It was a miracle; it was all a miracle: and one ought to have known, from the sufferings of saints, that miracles are horror.
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Nothing fades so quickly as what is unchanged.
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
NADINE GORDIMER -
a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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Keenness of hearing revives when one is alone.
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About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
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Communists are the last optimists.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
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I decided that I wanted nothing to do with South African government television while any of my fellow writers were banned and couldn’t speak publicly.
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Learning to write sent me falling, falling through the surface of the South African way of life.
NADINE GORDIMER