In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
NADINE GORDIMERThe creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
More Nadine Gordimer Quotes
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Learning to write sent me falling, falling through the surface of the South African way of life.
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One can’t measure how a mood of confidence comes about.
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The gap between the committed and the indifferent is a Sahara whose faint trails, followed by the mind’s eye only, fade out in sand.
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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Fiction is a way of exploring possibilities present but undreamt of in the living of a single life.
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When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us.
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Very often we support change, and then are swept away by the change. I think that…you just make your own response to your own generation. A response adequate to your time.
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I decided that I wanted nothing to do with South African government television while any of my fellow writers were banned and couldn’t speak publicly.
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What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there’s another force from inside battling to make us something else.
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I shall never write an autobiography, I’m much too jealous of my privacy for that.
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Peace. The upland serenity of high altitude, the openness of grassland without indigenous bush or trees; the greening, yellowing or silver-browning that prevailed, according to season.
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Certainly the people who are close to me are happier. They feel freer.
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Success sometimes may be defined as a disaster put on hold. Qualified. Has to be.
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There’s no tiling moral about beauty.
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Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER






