From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
NADINE GORDIMERAll worthwhile writing… comes from an individual vision, privately pursued.
More Nadine Gordimer Quotes
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In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there’s another force from inside battling to make us something else.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
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a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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I’m forty-nine but I could be twenty-five except for my face and my legs.
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in writing, sex doesn’t matter; it’s the writing that matters.
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
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Writers themselves don’t analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.
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Everyone ends up moving alone towards the self
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it’s impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren’t taken into account because no one knows what they will be.
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There is no moral authority like that of sacrifice.
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The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
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The tension between standing apart, and being fully involved; that is what makes a writer.
NADINE GORDIMER






