The sensate body possesses an art of interrogating the sensible according to its own wishes, an inspired exegesis.
MAURICE MERLEAU PONTYI live in the facial expressions of the other, as I feel him living in mine.
More Maurice Merleau Ponty Quotes
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The world is the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.
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I will never know how you see red and you will never know how I see it. But this separation of consciousness is recognized only after a failure of communication, and our first movement is to believe in an undivided being between us.
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Our own body is in the world as the heart is in the organism: it keeps the visible spectacle constantly alive, it breathes life into it and sustains it inwardly, and with it forms a system.
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To ask for an explanation is to explain the obscure by the more obscure.
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Montaigne puts not self-satisfied understanding but a consciousness astonished at itself at the core of human existence.
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Visible and mobile, my body is a thing among things; it’s caught in the fabric of the world, and its cohesion is that of a thing. But, because it moves itself and sees, it holds things in a circle around itself.
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I am not in front of my body, I am in it or rather I am it… If we can still speak of interpretation in relation to the perception of one’s own body, we shall have to say that it interprets itself.
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The world is nothing but ‘world-as-meaning.
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Language transcends us and yet we speak.
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Everyone is alone and yet nobody can do without other people, not just because they are useful but also when it comes to happiness.
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Because we are in the world, we are condemned to meaning, and we cannot do or say anything without its acquiring a name in history.
MAURICE MERLEAU PONTY -
Machiavelli is the complete contrary of a machiavellian, since he describes the tricks of power and gives the whole show away. The seducer and the politician, who live in the dialectic and have a feeling and instinct for it, try their best to keep it hidden.
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The photograph keeps open the instants which the onrush of time closes up forthwith; it destroys the overtaking, the overlapping, the metamorphosis of time.
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Speech is not a means in the service of an external end. It contains its own rule of usage, ethics, and view of the world, as a gesture sometimes bears the whole truth about a man.
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I discover vision, not as a ‘thinking about seeing,’ to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another’s gaze.
MAURICE MERLEAU PONTY