I use the words gods and goddesses principally, I think, to mean beautiful bodies – bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique.
MARTHA GRAHAMSome of you are doomed to be artists.
More Martha Graham Quotes
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The past is not dead; it is not even past. People live on inner time; the moment in which a decisive thought or feeling takes place can be at any time. Timeless feelings are common to all of us.
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Fire is the test of gold; adversity, of strong men.
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Dance is the landscape of man’s soul.
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There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.
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Dance is a song of the body. Either of joy or pain.
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We learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. One becomes in some area an athlete of God.
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I believe one thing: that today is yesterday and tomorrow is today and you can’t stop.
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What I do must be done in the sunlight of awareness.
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If you feel depressed you shouldn’t go out on the street because it will show on your face and you’ll give it to others. Misery is a communicable disease.
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The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.
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In the end, it all comes down to the art of breathing.
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We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.
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When you start with an idea, or something hits you, then you have to follow that through to the end, and it’s the following through to the end that makes the pattern. That, for me, is choreography.
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The world I’m interested in is the one where things are not named.
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I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.
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We are all of us, unique – each a unique pattern of creativity and if we do not fulfill it, it is lost for all time.
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People have asked me why I chose to be a dancer. I did not choose. I was chosen to be a dancer, and with that, you live all your life.
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Stand up! Keep your backs straight! Remember that this is where the wings grow.
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A dancer must listen to his body and pay homage to it. Behind the movement lies this terrible, driving passion, this necessity. I won’t settle for anything less.
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I have spent all my life with dance and being a dancer. It’s permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.
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You don’t pick dance. Dance picks you.
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You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
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Age’ is the acceptance of a term of years. But maturity is the glory of years.
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Think of the magic of that foot, comparatively small, upon which your whole weight rests. It’s a miracle, and the dance is a celebration of that miracle.
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Nobody cares if you can’t dance well. Just get up and dance. Great dancers are great because of their passion.
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My childhood years were a balance of dark and light.
MARTHA GRAHAM