You have no right to go before a public without an adequate technique, just because you feel. Anything feels – a leaf feels, a storm feels – what right have you to do that? You have to have speech, and it’s a cultivated speech.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer’s art is lived while he is dancing. Nothing is left of his art except the pictures and the memories–when his dancing days are over.
I believe that we learn by practice… it is the performance of a dedicated precise set of acts, physical or intellectual, from which come shape of achievement, a sense of one’s being, a satisfaction of spirit.
You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
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