The body is a sacred garment. It’s your first and last garment; it is what you enter life in and what you depart life with, and it should be treated with honor.
MARTHA GRAHAMIn a dancer, there is a reverence for such forgotten things as the miracle of the small beautiful bones and their delicate strength.
More Martha Graham Quotes
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I have spent all my life with dance and being a dancer. It’s permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.
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Dance is communication, and so the great challenge is to speak clearly, beautifully and with inevitability.
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People have asked me why I chose to be a dancer. I did not choose. I was chosen to be a dancer, and with that, you live all your life.
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Nobody cares if you can’t dance well. Just get up and dance. Great dancers are great because of their passion.
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All that is important is this one moment in movement. Make the moment important, vital, and worth living. Do not let it slip away unnoticed and unused.
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Fire is the test of gold; adversity, of strong men.
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I am certain that movement never lies. There is only one law of posture I have been able to discover – the perpendicular line connecting heaven and earth.
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You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
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The past is not dead; it is not even past. People live on inner time; the moment in which a decisive thought or feeling takes place can be at any time. Timeless feelings are common to all of us.
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Some of you are doomed to be artists.
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When you start with an idea, or something hits you, then you have to follow that through to the end, and it’s the following through to the end that makes the pattern. That, for me, is choreography.
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What I do must be done in the sunlight of awareness.
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The center of the stage is where I am.
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It’s what I always wanted to do, to show the laughter, the fun, the joy of dance.
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Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer’s art is lived while he is dancing. Nothing is left of his art except the pictures and the memories–when his dancing days are over.
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Dance is the hidden language of the soul, of the body.
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We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.
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Age’ is the acceptance of a term of years. But maturity is the glory of years.
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Discipline is liberation.
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Dancers today can do anything; the technique is phenomenal. The passion and the meaning to their movement can be another thing.
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Misery is a communicable disease.
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No animal ever has an ugly body until it is domesticated. It is the same with the human body.
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Art is eternal for it reveals the inner landscape which is the soul of man.
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My childhood years were a balance of dark and light.
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No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
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The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.
MARTHA GRAHAM