Sometimes you just have to get a shock to grow up and wake up, and I’ve had lots of shocks because it’s as though I don’t learn the lessons, so something new comes and hits me.
MARIANNE FAITHFULLI’ve got quite a good brain and all that, which I’ve never had to use in singing at all.
More Marianne Faithfull Quotes
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When you are 18, 19, 20, you’re used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image.
MARIANNE FAITHFULL -
If you analyze the bad times you find that it’s because you wanted to have a bad time.
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I like my work, but my life always comes first. I always wanted to have a beautiful life, and the way to do it is in show business.
MARIANNE FAITHFULL -
I’ve got quite a good brain and all that, which I’ve never had to use in singing at all.
MARIANNE FAITHFULL -
Of course I have regrets; I’m not stupid.
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For some people, marriage may be very groovy. For me, it really isn’t. I don’t think it really is for most people anyway. Most people are not very happy.
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It’s always a good idea to get yourself a famous, rich, and groovy young man. That’s one of the best-known methods of furthering your career.
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The equipment you’ve got really dictates what you’re going to do. When I started touring, there were no monitors, so I had to take the sound from the hall, and of course it was on a delay, so I would sing, and then I would hear it back, but later. It was very weird.
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Relationships have a nasty habit of reversing themselves; whatever has been done to you in a previous involvement you’ll do to the next person you’re involved with, if you get half a chance.
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I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.
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The first opera I went to see was Maria Callas singing ‘Tosca’.
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I’m interested in time, fame, death, beauty, truth, all those things.
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I once asked my father what he wanted me to be. To my horror, he said, ‘sociologist.’
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I’m sick of being self-referential. I don’t want to do any more songs that can be accused of being personal.
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I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music – I got that from my parents. I love Cole Porter – that I got from my dad.
MARIANNE FAITHFULL