For some people, marriage may be very groovy. For me, it really isn’t. I don’t think it really is for most people anyway. Most people are not very happy.
I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.
I’ve got a lot of little compulsive problems, and I’ve thought about it a lot. And one of the things I ask myself is, ‘What are the things I can do that won’t hurt me and will help me?’ The first answer is work.
I want to do movies, but I want to do something that’s good. I don’t want to make any more films until I feel that I’m ready for it. I want to have good work, and a very elegant life. I believe you get what you want.
Sometimes you just have to get a shock to grow up and wake up, and I’ve had lots of shocks because it’s as though I don’t learn the lessons, so something new comes and hits me.
There are so many myths out there about Marianne Faithfull, I had to, um, detach. But I can turn it on because Marianne Faithfull is really an attitude, you know.
When you are 18, 19, 20, you’re used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image.
Relationships have a nasty habit of reversing themselves; whatever has been done to you in a previous involvement you’ll do to the next person you’re involved with, if you get half a chance.
