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I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.

Margaret Atwood

Although from you I far must roam, do not be broken hearted. We two, who in the souls are one, are never truly parted.
MARGARET ATWOOD

Broken Roam Soul Two
If one of the arguments against eating meat is to do with cruelty and animal intelligence, then lab meat avoids that. There’s also the environmental argument for it.
MARGARET ATWOOD

Animal Environmental Meat
Stick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there’d be no stories.
MARGARET ATWOOD

Good Light Stick Stories
And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.
MARGARET ATWOOD

Hurt Intention Need Someone
Hunger is a powerful reorganizer of the conscience.
MARGARET ATWOOD

Conscience Hunger Powerful
I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD

Important Sound Think
These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive.
MARGARET ATWOOD

Alive Fact Prayer
The best way of being kind to bears is not to be very close to them.
MARGARET ATWOOD

Bears Close Kind Way
I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
MARGARET ATWOOD

Fear Lying Night
I was kidnapped by literature at a young age and never wanted to be ransomed.
MARGARET ATWOOD

Age Literature Young
I didn’t go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.
MARGARET ATWOOD

Children Fall Summer
Canada was built on dead beavers.
MARGARET ATWOOD

Beaver Built Country People
I’m a novelist, and idle speculation is what novelists do. How odd to spend one’s life trying to pretend that non-existent people are real: though no odder, I suppose, than what government bureaucrats do, which is trying to pretend that real people are non-existent.
MARGARET ATWOOD

Government People Real
We are silent, considering shortfalls. There’s not much time left, for us to become what we once intended. Jon had potential, but it’s not a word that can be used comfortably any more. Potential has a shelf-life.
MARGARET ATWOOD

Shelves Silent Use
Immortality,’ said Crake, ‘ is a concept. If you take ‘mortality’ as being, not death, but the foreknowledge of it and the fear of it, then ‘immortality’ is the absence of such fear. Babies are immortal. Edit out the fear, and you’ll be.
MARGARET ATWOOD

Absence Baby Immortality
A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
MARGARET ATWOOD

Dignity Ignorance Poetry

I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.

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I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.

Related Topics

Popular Authors

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