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I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.

Margaret Atwood

I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.
MARGARET ATWOOD

Awkward Boys Girl
How shrunk, how dwindled, in our times Creation’s mighty seed – For Man has broke the Fellowship With murder, lust, and greed.
MARGARET ATWOOD

Greed Lust Men
Immortality,’ said Crake, ‘ is a concept. If you take ‘mortality’ as being, not death, but the foreknowledge of it and the fear of it, then ‘immortality’ is the absence of such fear. Babies are immortal. Edit out the fear, and you’ll be.
MARGARET ATWOOD

Absence Baby Immortality
Maybe that’s what love is, I thought: it’s being pissed off.
MARGARET ATWOOD

Emotion Love Piss
I was kidnapped by literature at a young age and never wanted to be ransomed.
MARGARET ATWOOD

Age Literature Young
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence.
MARGARET ATWOOD

Farewell Flesh Shadow
It’s evening, one of those gray water-color washes, like liquid dust.
MARGARET ATWOOD

Color Dust Water
These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive.
MARGARET ATWOOD

Alive Fact Prayer
I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
MARGARET ATWOOD

Fear Lying Night
The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
MARGARET ATWOOD

Art Light Shine
I grew up in the north woods of Canada. You had to know certain things about survival. Wilderness survival courses weren’t very formalized when I was growing up, but I was taught certain things about what to do if I got lost in the woods.
MARGARET ATWOOD

Grow Survival Wood
When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
MARGARET ATWOOD

Art Civilization Dust
There is no fool like an educated fool.
MARGARET ATWOOD

Educated Emotional Fool People
The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
MARGARET ATWOOD

Fight Racism Write
Victorian literature was my subject at Harvard.
MARGARET ATWOOD

Harvard Literature Subject
I did … learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it’s about your friends, a plot element if it’s about a character in a novel, and scholarship if it’s about John Keats.
MARGARET ATWOOD

Character Gossip School

I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.

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I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.

Related Topics

Popular Authors

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