I read for pleasure and that is the moment I learn the most.
MARGARET ATWOODWe are silent, considering shortfalls. There’s not much time left, for us to become what we once intended. Jon had potential, but it’s not a word that can be used comfortably any more. Potential has a shelf-life.
More Margaret Atwood Quotes
-
-
The biggest debt is always the government debt; it’s always debt that government has run up on your behalf.
MARGARET ATWOOD -
Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.
MARGARET ATWOOD -
I’m bad at picking heroes.
MARGARET ATWOOD -
I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
MARGARET ATWOOD -
Waste not want not. I am not being wasted. Why do I want?
MARGARET ATWOOD -
There’s always something to occupy the inquiring mind.
MARGARET ATWOOD -
I’m a novelist, and idle speculation is what novelists do. How odd to spend one’s life trying to pretend that non-existent people are real: though no odder, I suppose, than what government bureaucrats do, which is trying to pretend that real people are non-existent.
MARGARET ATWOOD -
The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
MARGARET ATWOOD -
Better never means better for everyone… It always means worse, for some.
MARGARET ATWOOD -
I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD -
I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.
MARGARET ATWOOD -
When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
MARGARET ATWOOD -
A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
MARGARET ATWOOD -
I did … learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it’s about your friends, a plot element if it’s about a character in a novel, and scholarship if it’s about John Keats.
MARGARET ATWOOD -
It’s evening, one of those gray water-color washes, like liquid dust.
MARGARET ATWOOD







