I did not know how to paint or even what to paint, but I knew I had to begin.
MARGARET ATWOODI walk away from him. It’s enormously pleasing to me, this walking away. It’s like being able to make people appear and vanish, at will.
More Margaret Atwood Quotes
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The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
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There’s always something to occupy the inquiring mind.
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Victorian literature was my subject at Harvard.
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Canada was built on dead beavers.
MARGARET ATWOOD -
These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive.
MARGARET ATWOOD -
Confronted by too much emptiness … the brain invents. Loneliness creates company as thirst creates water. How many sailors have been wrecked in pursuit of islands that were merely a shimmering?
MARGARET ATWOOD -
I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.
MARGARET ATWOOD -
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence.
MARGARET ATWOOD -
The way love feels is always only approximate. I would like to be without shame. I would like to be shameless. I would like to be ignorant. Then I would not know how ignorant I was.
MARGARET ATWOOD -
A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
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Too much God and you overdose. God needs to be filtered.
MARGARET ATWOOD -
It’s evening, one of those gray water-color washes, like liquid dust.
MARGARET ATWOOD -
I walk away from him. It’s enormously pleasing to me, this walking away. It’s like being able to make people appear and vanish, at will.
MARGARET ATWOOD -
Once upon a time, novelists of the 19th century, such as Charles Dickens, published in serial form.
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I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD