I didn’t go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.
MARGARET ATWOODI didn’t go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.
MARGARET ATWOODThe object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
MARGARET ATWOODCanada was built on dead beavers.
MARGARET ATWOODDon’t misunderstand me. I am not scoffing at goodness, which is far more difficult to explain than evil, and far more complicated. But sometimes it’s hard to put up with.
MARGARET ATWOODI’m a person of whim, and easily distracted. I don’t like multitasking. When I’m doing one thing, I like to do just that thing.
MARGARET ATWOODFarewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence.
MARGARET ATWOODNature is an expert in cost-benefit analysis,’ she says. ‘Although she does her accounting a little differently. As for debts, she always collects in the long run.
MARGARET ATWOODStick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there’d be no stories.
MARGARET ATWOODA lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
MARGARET ATWOODWaste not want not. I am not being wasted. Why do I want?
MARGARET ATWOODI’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.
MARGARET ATWOODI read for pleasure and that is the moment I learn the most.
MARGARET ATWOODToo much God and you overdose. God needs to be filtered.
MARGARET ATWOODVictorian literature was my subject at Harvard.
MARGARET ATWOODMaybe that’s what love is, I thought: it’s being pissed off.
MARGARET ATWOODI don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD