When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
MARGARET ATWOODNature is an expert in cost-benefit analysis,’ she says. ‘Although she does her accounting a little differently. As for debts, she always collects in the long run.
More Margaret Atwood Quotes
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Victorian literature was my subject at Harvard.
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I did not know how to paint or even what to paint, but I knew I had to begin.
MARGARET ATWOOD -
The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
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The way love feels is always only approximate. I would like to be without shame. I would like to be shameless. I would like to be ignorant. Then I would not know how ignorant I was.
MARGARET ATWOOD -
I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD -
Vampires get the joy of flying around and living forever, werewolves get the joy of animal spirits. But zombies, they’re not rich, or aristocratic, they shuffle around. They’re a group phenomenon, they’re not very fast, they’re quite sickly. So what’s the pleasure of being one?
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The best way of being kind to bears is not to be very close to them.
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There’s always something to occupy the inquiring mind.
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Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.
MARGARET ATWOOD -
It made him feel invisible—not that he wanted to feel anything else.
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You can pretty much trace when the big individual indebtedness kicked in, and it was when the credit card became generally available.
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Although from you I far must roam, do not be broken hearted. We two, who in the souls are one, are never truly parted.
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Nature is an expert in cost-benefit analysis,’ she says. ‘Although she does her accounting a little differently. As for debts, she always collects in the long run.
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We are silent, considering shortfalls. There’s not much time left, for us to become what we once intended. Jon had potential, but it’s not a word that can be used comfortably any more. Potential has a shelf-life.
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The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
MARGARET ATWOOD






