By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
LEV GROSSMANMagic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
More Lev Grossman Quotes
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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He who completes a quest does not merely find something. He becomes something.
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It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals
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People – me included – want to get excited about books. Good books are a good thing.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
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It turns out that there is something that can compete with free: easy.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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