The truth doesn’t always make a good story, does it?
LEV GROSSMANA big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
More Lev Grossman Quotes
-
-
The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
LEV GROSSMAN -
Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
LEV GROSSMAN -
The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
LEV GROSSMAN -
It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
LEV GROSSMAN -
He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
LEV GROSSMAN -
People – me included – want to get excited about books. Good books are a good thing.
LEV GROSSMAN -
I feel very conscious of my influences. T.H. White is very important for me.
LEV GROSSMAN -
The process of learning is a nonstop orgy of wonderment.
LEV GROSSMAN -
I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
LEV GROSSMAN -
The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
LEV GROSSMAN -
The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
LEV GROSSMAN -
His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
LEV GROSSMAN -
I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
LEV GROSSMAN -
I studied the cello for a long time, from when I was little up through college.
LEV GROSSMAN -
Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
LEV GROSSMAN