The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
LEV GROSSMANI feel very conscious of my influences. T.H. White is very important for me.
More Lev Grossman Quotes
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I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
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I’ve only read three books by Stephen King. When I was 10 I read ‘The Long Walk,’ one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read ‘The Dark Half,’ which taught me a word I have never forgotten: psychopomp. Now I have read ’11/22/63.’
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I came from an anxious, overly intense East Coast academic family. That was the way of our tribe.
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The real world is horrible.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed – it was – impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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We have reached the point where ignorance and neglect are the best we can hope for in a ruler.
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Don’t take anyone’s writing advice too seriously.
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We have lived too long. The great days are past.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
LEV GROSSMAN