The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
LEV GROSSMANYoung minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
More Lev Grossman Quotes
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
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He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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His whole personality was like an elaborate joke that he never stopped telling.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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I studied the cello for a long time, from when I was little up through college.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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I feel very conscious of my influences. T.H. White is very important for me.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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Don’t take anyone’s writing advice too seriously.
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