His whole personality was like an elaborate joke that he never stopped telling.
LEV GROSSMANThe novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
More Lev Grossman Quotes
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His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what’s going on in contemporary fiction – not only genre stuff, the whole spectrum.
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The real world is horrible.
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The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
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I feel very conscious of my influences. T.H. White is very important for me.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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My book group has one rule: no books for adults. We read young adult fiction only.
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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Escapism has value, even if I don’t know what its value is, exactly. Maybe it’s just part of some healthy way that we deal with the world.
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