“Directors tell me what to do, and I kind of just put my own twist to it.”

I’ve worked countless hours in the gym, so I feel like I’m already prepared for the game.

Multiple Bentleys isn’t making anyone ‘financially set.’

You want to keep the defense guessing.

I don’t leave home without my Bible, without my phone, and without my computer.

Just to get inside my personality that everybody doesn’t really get to see – my off-the-court interests and the way I act. It’s just me.

My eventual goal is to win a championship. And before I retire, I just want to win a championship. That’s it.

I’ve been musically inclined since I picked up an instrument in the fourth grade. I just really appreciate music.

I want to be on the cover of ‘GQ.’ That’s a personal goal.

I’m not really a big X’s and O’s guy, but if you want to go there, I’m more of a space-the-floor type of coach:

When I play the 2, I have a more broader understanding of what’s going on and where the screens are being set in order for not only myself to get open, but for my teammates.

I’m going to give input when I need to. When it needs to be said.

Even during my injury, I had fun because I got to be a regular college kid.

Five out, zero in, and that’s the way we play basketball, screen and roll here and there, pocket passes everywhere; it’s what it’s about.

Grease’ is an awesome movie. I wish they’d make a new one, more for our time. The graphics are terrible when you look back on it.

Everybody in the NBA is good. And then you have the really good ones and the great ones.

When I’m playing the 1-guard, teams do a great job of just loading up and preparing for my drives and preparing for my three-point shots.

Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.

I want to become a movie director and win an Academy Award. That’s what I’m trying to do.

Most of the films are only 60% taken, rest is a director’s input.

If you want to be a great director, be a great screenwriter.

During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.

My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.

We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects.

With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.