The experience of writing ‘The Kite Runner’ is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.
And that, is the story of our country, one invasion after another Macedonians. Saddanians. Arabs. Mongols. Now the Soviets. But we’re like those walls up there. Battered, and nothing pretty to look at, but still standing.
It was the kind of love that, sooner or later, cornered you into a choice: either you tore free or you stayed and withstood its rigor even as it squeezed you into something smaller than yourself.
I laughed. Partly at the joke, partly at how Afghan humor never changed. Wars were waged, the Internet was invented, and a robot had rolled on the surface of Mars, and in Afghanistan we were still telling Mullah Nasruddin jokes.
She said, ‘I’m so afraid.’ And I said, ‘why?,’ and she said, ‘Because I’m so profoundly happy, Dr. Rasul. Happiness like this is frightening.’ I asked her why and she said, ‘They only let you be this happy if they’re preparing to take something from you.
