My show ‘The Big House’ was picked up; they flew me to New York. I’m about to step on stage to announce Kevin Hart’s ‘The Big House.’ And a hand grabs my shoulder, ‘Kevin no, they just decided to cancel it.’ It’s a serious smack-in-the-face business, and either you can take it, or you can’t.
My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with ‘topics’ – race, white versus black – you’re not separating from the pack. You’re doing what everybody else is doing.
My dad was never married. He was kind of a rolling stone. But he was never disrespectful. At the same time, even though he had women in his life when I was a kid, there wasn’t any consistency.
When other movies are done with a predominantly white cast, we don’t call them a white film. I’m trying to remove the stigma off things they call black films.
I am capable of holding the quote-unquote ‘title’ of leading man. Leading man just means people want to see you and assume that you can hold a film, carry a movie.
