I’m good friends with Jay Leno, good friends with Ed O’Neill, Melanie Fiona and Russell Simmons.
KEVIN HARTI want them to be good people, so good people will treat them accordingly. I preach that to my kids and everything else falls into place.
More Kevin Hart Quotes
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I don’t see how people are comfortable with seeing other people be great. You can be happy for anybody, but what is your excuse to not want to be great?
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When you can take things that are painful and make them funny, that’s a gift – to you and your audience.
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I’m happy about working; I’m happy about gracing the stage and coming out and making people laugh.
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I got a dog with a Napoleon complex. I have a Napoleon complex. We’re small. Anything big that we feel is threatening us, we want to fight. We’re not a pushover.
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I’ve done a great job at being universal in my stand-up, which is why, for ‘Let Me Explain,’ I toured all over the world. These movies I have coming out – ‘Ride Along,’ ‘Grudge Match,’ ‘About Last Night,’ ‘Think Like a Man Too’ – are putting me in a position to become universal on an even bigger scale.
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I think if someone gets kicked in the face it is their fault – they watched the foot come towards their face.
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At the end of the day, regardless of the color of the cast, we’re all doing the same thing in this business: trying to make a good film.
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My show ‘The Big House’ was picked up; they flew me to New York. I’m about to step on stage to announce Kevin Hart’s ‘The Big House.’ And a hand grabs my shoulder, ‘Kevin no, they just decided to cancel it.’ It’s a serious smack-in-the-face business, and either you can take it, or you can’t.
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No man wants to settle down. It happens. Eventually you’re going to bump into somebody that makes you go, ‘Hmm, I don’t mind seeing this person every day.’
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I feel like whatever you’ve done in your career, good or bad, it’s nothing but preparation for the big events to come.
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These people are great because they just say, ‘I’ma do that,’ and they do it. That’s it. There’s no scientifical process.
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You have black people, white people, Chinese people, Hispanic people; we’re all brought up differently.’
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You see some of the weirdest people in Detroit casinos.
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When other movies are done with a predominantly white cast, we don’t call them a white film. I’m trying to remove the stigma off things they call black films.
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You make yourself broad. You make yourself appealing. ‘Hey, y’all, I’m cool with everybody.’ That’s my message.
KEVIN HART