I think women’s bodies are a battleground and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
KEIRA KNIGHTLEYI always feel like I’m the one with everything to prove.
More Keira Knightley Quotes
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I see a pair of shoes I adore, and it doesn’t matter if they have them in my size. I buy them anyway.
KEIRA KNIGHTLEY -
I would be extremely stupid if I said that my looks had absolutely nothing to do with what I do, it [moviemaking] is a visual medium. I’m perfectly aware of that, the face and the body help. Of course they do.
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I find it difficult to see the romance in digital.
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I don’t quite understand what Tolstoy’s actual personal view of Anna is – whether he likes her or hates her, whether she’s the heroine or the antiheroine.
KEIRA KNIGHTLEY -
I don’t have a problem with my body. I’m not just going to strip off all my clothing, but if the part calls for it and I don’t think there’s any way round, I’m absolutely fine.
KEIRA KNIGHTLEY -
You bring yourself to every role, it doesn’t matter who it is, it doesn’t matter if it’s a mass murderer, you can bring something to it.
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It’s very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
KEIRA KNIGHTLEY -
I wish I was Sienna Miller. When I talk to her, I hope a bit of her party personality will rub off on me, but it never does.
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I enjoy doing an action scene. I’m not a purist as far as films go. If you want to do sex, great. As long as you do it well.
KEIRA KNIGHTLEY -
Beauty is everywhere. And my photography came naturally without any particular inspirations growing up.
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My upbringing is why I am the person I am today. I have very wise parents.
KEIRA KNIGHTLEY -
I’m doing a film now with a lot of guys as well, so at the end of that I will be growing a beard.
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I am a slow reader. I always loved words, which is a strange thing given that I couldn’t actually read them.
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I’ve had my body manipulated so many different times for so many different reasons, whether it’s paparazzi photographers or for film posters.
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I think quite often when you have a hell of a lot more money and time, as you very much do on a big studio film, you don’t necessarily have to make the decisions right there. You can always goback and reshoot it.
KEIRA KNIGHTLEY