When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
KAZUO ISHIGUROMany of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
More Kazuo Ishiguro Quotes
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What is pertinent is the calmness of that beauty, its sense of restraint.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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All children have to be deceived if they are to grow up without trauma.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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An artist’s concern is to capture beauty wherever he finds it.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
KAZUO ISHIGURO