I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
KAZUO ISHIGUROMany of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
More Kazuo Ishiguro Quotes
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One is not struck by the truth until prompted quite accidentally by some external event.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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To see the best before I have properly begun would be somewhat premature.
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Don’t you wonder sometimes, what might have happened if you tried?
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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What is pertinent is the calmness of that beauty, its sense of restraint.
KAZUO ISHIGURO






