There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
KAZUO ISHIGUROPerhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
More Kazuo Ishiguro Quotes
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
KAZUO ISHIGURO