The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
JULIA STILESIt’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
More Julia Stiles Quotes
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
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I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I worked regularly from very early on, and some of it was probably a bit premature.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
JULIA STILES