I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
JULIA STILESEven after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
More Julia Stiles Quotes
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
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I worked regularly from very early on, and some of it was probably a bit premature.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
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As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
JULIA STILES