“The sea is an idiom I cannot decipher.”

I thought that a man can be an enemy of other men, of the moments of other men, but not of a country: not of fireflies, words, gardens, streams of water, sunsets.

The truth is that we live out our lives putting off all that can be put off; perhaps we all know deep down that we are immortal and that sooner or later all men will do and know all things.

When I feel I’m going to write something, then I just am quiet and I try to listen. Then something comes through. And I do what I can in order not to tamper with it.

The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.

You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.

Everything touches everything.

My books standing there on the shelf do not know that I have written them.

Don’t talk unless you can improve the silence.

I might accept immortality, if I had to do it. But I would prefer – if there is any afterlife – to know nothing whatever about Borges, about his experiences in this world.

The minotaur more than justifies the existence of the labyrinth.

Whoever would undertake some atrocious enterprise should act as if it were already accomplished should impose upon himself a future as irrevocable as the past.

Perhaps the apparent favor of the universe is no more than the crocodile grin of a Doberman breathing hard and about to be hungry?

Heaven and hell seem out of proportion to me: the actions of men do not deserve so much.

I have committed the worst of sins one can commit. I have not been happy.

Your unforgivable sins do not allow you to see my splendor.

It also occurred to him that throughout history, humankind has told two stories: the story of a lost ship sailing the Mediterranean seas in quest of a beloved isle, and the story of a god who allows himself to be crucified on Golgotha.

I am not writing in metaphors. I am writing about catastrophes.

Often in winter the end of the day is like the final metaphor in a poem celebrating death: there is no way out.

It was easier than explaining DiMaggio’s use as a metaphor.

Everything has seasons, and we have to be able to recognize when something’s time has passed and be able to move into the next season. Everything that is alive requires pruning as well, which is a great metaphor for endings.

We wanted to make fun of that fear-based culture we’ve been plunged into. And Halloweens the perfect metaphor for fear.

Still, it’s an apt metaphor for our profession. But there’s another kind of hole, and that is the wound that divides family.

The dancing vortex of a sacred metaphor clashes horns and halos to make wounded music set to the tempo of a new era in brilliant labor.

Every time some new huckster of angst-ridden metaphor is appointed by Art Forum, the congregation genuflects, stroking the catalog like a handful of Rosary beads